Theresa, Canada, etc.
bellecs:

I Confess, 1953 (Alfred Hitchcock)

bellecs:

I Confess, 1953 (Alfred Hitchcock)

notes

"Always, she is so straightforward and human and pleasant to observe that she is of inordinate value to a film that certainly does require her gifts."— Richard Watts, Jr. from the New York Herald Tribune

"Always, she is so straightforward and human and pleasant to observe that she is of inordinate value to a film that certainly does require her gifts."
— Richard Watts, Jr. from the New York Herald Tribune

notes

I think it’s clearly time to get off the internet when you find yourself on a random film forum reading very heated arguments about auteur theory on a Sunday night.

notes

layer53:

Lovers do not notice where they are, do not notice that they repeat themselves. It isn’t repetition, anyway—it’s reassurance. And when you’re holding back and speaking in code, no conversation is boring, because the empty spaces are filled by your desires." - Roger Ebert

notes
Mood:

digitaltits:

*white kid from 90’s tv show on bed throwing baseball up in the air and catching it while staring at ceiling*

notes
  1. Interviewer: What is your attitude to life? When you meet somebody, what is your attitude to them?
  2. Bob Dylan: I don't like them.
notes
ragsmartinjones:

Jacques Demy and Catherine Deneuve on the set of The Umbrellas of Cherbourg.

ragsmartinjones:

Jacques Demy and Catherine Deneuve on the set of The Umbrellas of Cherbourg.

notes
notes
notes
gueule-de-loupviolette:

Lovers,1936.
© Jean-Marie B / Flickr.

gueule-de-loupviolette:

Lovers,1936.

© Jean-Marie B / Flickr.

notes
I grew, day by day, more moody, more irritable, more regardless of the feelings of others.
Poe, Edgar Allan. “The Black Cat.” (via wordsnquotes)
notes
notes